Berry... was very keen on songs being standards. He was looking at people like Gershwin and he knew that you need to hear something over and over in order for it to stay in the consciousness of the people and for it to mean something in people's life. So you might have had a hit, but after two months somebody at the company might re-record it and have a different take on it, give it a new lease of life. | | | | Bonobo at the Velodrom in Berlin, May 26, 2018.
(Frank Hoensch/Redferns/Getty Images) | | | | | |  | "Berry... was very keen on songs being standards. He was looking at people like Gershwin and he knew that you need to hear something over and over in order for it to stay in the consciousness of the people and for it to mean something in people's life. So you might have had a hit, but after two months somebody at the company might re-record it and have a different take on it, give it a new lease of life."
| | | | | | rantnrave:// Funny thing about music creators and the tech companies that make their work available on the internet: They're in the same business. They're part of the same family. Music publishers and YOUTUBE may not always see eye to eye, same as brothers and sisters may not always see eye to eye (my siblings and I are the exceptions that prove this rule), but they all realize, deep down, that sooner or later they have to get used to living in the same house. CHRIS COOKE does a nice job of pinpointing the central dilemma of the debate over the COPYRIGHT DIRECTIVE, which took a giant step toward passage with a surprisingly lopsided vote Wednesday. "Everyone in the music industry wants YouTube to pay better royalties," he writes, "but at the same time everyone wants to reach the YouTube audience." Corollary: Everyone in the tech industry wants to pay lower royalties, but at the same time everyone in tech wants to reach the music audience. For the three or four of you who aren't clear why everyone's still arguing with everyone, read those last two sentences again. Says tech, in regard to the controversial Article 13 of the Copyright Directive: Remixes and mashups are f***ed. Says music: Services can be licensed to support remixes, and mashups are covered by existing copyright exceptions (such as parody, criticism, citation). Says tech: The METALLICAs of the world will have their grunts making sure to pull down that birthday party video of you and your friends just trying to have a good time while some song was on the radio. Says music: The Copyright Directive imposes no obligation on users. The obligations relate only to platforms and rightsholders. Says tech: No filter exists that can even approximate GOOGLE's Content ID, and the closest equivalents are mostly run by American companies, meaning that US Big Tech is going to get to spy on everything Europeans post and decide what gets censored and what doesn't. Says music: What's being proposed in the EU is that the platforms that host user-uploaded content might have to—get this—pay license fees to producers of that content and, further, that they might have to enable the content producers to have more control over how their works are exploited. Says techie WYCLEF JEAN: You're thinking about the value gap the wrong way. Says music man PAUL MCCARTNEY: No, we're not. Says tech: This will stifle your creative freedom. Says music: Artists will have a say and capture more revenue. Says me: I want to be able to access music as widely, deeply and easily as possible. Also says me: I want artists to be paid fairly, accurately and on time. Solve that, Europe, and we're good, like one big happy family... AEG says it will no longer block-book London's O2 Arena and LA's Staples Center, and SHARON OSBOURNE's lawyer says she and her husband no longer need to sue AEG. Speaking of happy families... Musicians—some of them anyway—starting to make bank off SPOTIFY stock payouts. And—look for it—quite possibly the single worst quote a music exec has uttered in 2018... MTV will air episodes of MAC MILLER's reality show, MAC MILLER AND THE MOST DOPE FAMILY, as part of a tribute to the late rapper... JASON ISBELL and JOHN PRINE big winners at AMERICANA AWARDS... LIVE NATION to brands: Live music is better... Good thread on REM, PITCHFORK, music criticism and how perceptions and prejudices change over time... DOOBIE... BROTHERS... RIP RACHID TAHA, JOHNNY STRIKE and SIEGFRIED LINKWITZ. | | | - Matty Karas, curator | | | |  | Penny Fractions | | What starts to become rather clear is just how much Apple Music fans stream this music but also how many Spotify fans aren't as deeply engaged in the blow-by-blow beat of modern music consumption. | | | |  | Okayplayer | | It takes a dream team to create an LP like 'The Miseducation of Lauryn Hill.' This is the story of the creatives who helped bring Lauryn's classic to life. | | | |  | Narratively | | How an international contest is inspiring everyone from little girls to grandmas to pick up drumsticks - and may be saving the musical instrument industry in the process. | | | |  | The New York Times | | Two cultural icons, Jean-Luc Godard and Mick Jagger, come together in "Sympathy for the Devil," which had an eventful London premiere. | | | |  | Trench | | Ciaran Thapar explores the important role the British Asian community has played in UK black music (and beyond). | | | |  | Pitchfork | | The over-policing of a genre that emerged organically, from systemic poverty, doesn't account for its many success stories. | | | |  | Music Business Worldwide | | 'This now opens the way for a Copyright Directive that can close the value gap and boost investment into new British music and other new content.' | | | |  | Complex | | The Louisiana duo-who released their new album 'I Want to Die in New Orleans'-influenced your favorite SoundCloud rapper, and they want the world to know it. | | | |  | NME | | Are artists collaborating for the free membership, or is there another reason for the site's unlikely musical expansion? | | | |  | Saving Country Music | | "Without you, there would be no resistance to the mainstream in country like we see today, or the same avenues for independent artists to find the fans and support they need to launch sustainable careers without your contributions and initiative." | | | | | The New York Times | | This French pop singer's new album, "Chris," an ode to "horny, hungry and ambitious" women, is a timely personal and political breakthrough. | | | |  | Refinery29 | | The premiere of "Ashlee + Evan" tackles Ashlee Simpson's 2004 "SNL" scandal head-on. But, after #MeToo, is it time to see the fiasco in a new light? | | | |  | Forbes | | Hip-hop is now the most-consumed genre in America, and its artists are cashing in accordingly. The 10 highest-paid rap stars earned $405.5 million, easily besting the most prolific moneymakers in country ($304.5 million) and EDM ($260 million), led by hip-hop cash king Jay-Z. | | | |  | The Washington Post | | Her sexy lyrics attracted millions of fans; now Davis, wife to Miles and friend of Hendrix, lives alone in senior housing. | | | |  | BBC Radio 1 | | What are the essential ingredients for a summer banger? Calvin Harris, Jax Jones, Sigma, Becky Hill, Ina Wroldsen, Sigala, RAYE, Disciples, CamelPhat, Au/Ra and Example help BBC Radio 1's Matt Edmondson to write his ultimate summer banger -- it's called 'One More Day of Summer' and it's... good?! | | | |  | MTV News | | During an intimate Q&A in Los Angeles, the South Korean boy band say they want to 'reassure' young people through music | | | |  | Live Nation | | More than two-thirds of 13- to 49-year-olds are attending live music events around the world, a trend that is reflected in the overall music industry with live music outpacing the growth of digital and recorded music. It's easier than ever for brands to connect TO people but harder than ever to connect WITH people. | | | |  | DownBeat | | For almost every British musician, hearing the word "Brexit" induces a quickened heart rate. The UK is scheduled to leave the European Union on March 29, 2019--at 11 p.m., to be precise. And Brits remain none the wiser as to how it will affect freedom of movement between the UK and the EU. | | | |  | She Shreds | | "I think what I do is an amalgamation of all the different types of music I listen to. I love so many different types of music and I don't think I'd be happy with just one. So I try to be a part of as many different projects as I can so I can express myself." | | | |  | UPROXX | | The legacy rocker has built a unique career on lopsided quality control. | | | | |  | | YouTube | | | | | | | | | | | | | | | | | | © Copyright 2018, The REDEF Group | | |
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