we're releasing Yandhi Saturday night. We know it will come in number 2 to my brother Lil Wayne and that's lovely. The universe needs Ye and Wayne music at the same time | | | | Lil Wayne's "Tha Carter V" is out today (really!) on Young Money.
(Timothy Hiatt/Getty Images) | | | | | |  | "we're releasing Yandhi Saturday night. We know it will come in number 2 to my brother Lil Wayne and that's lovely. The universe needs Ye and Wayne music at the same time"
| | | | | | rantnrave:// JOAN JETT was the first major rock star I interviewed. Sort of. I was young and green and I was supposed to meet her on her tour bus after a show at the CAPE COD COLISEUM. The first tour bus I'd ever been on. And she wasn't on it. Her manager, KENNY LAGUNA, was, and he didn't seem concerned by her absence or in any kind of hurry. And he was up for a chat. So I interviewed him. For close to an hour. Aware, the whole time, of the empty banquette across from me. And then, finally, they dragged her in. Literally. Her arms were around two roadies, her legs, seemingly powerless, dragging on the floor behind her like the train of a black leather wedding dress. To this day, I don't know if she was too tired to walk, too drunk to walk or if that's just how she preferred to get around. It took her a while to get to that banquette, and in the meantime the bus started moving. I had no idea where we were headed and I'm not sure she knew where she was when I finally got to ask her four or five questions, most of which she answered by grunting, and then I'd look at Kenny and he'd fill in the blanks for her. Then she disappeared again and I mentioned to Kenny that I kind of had to get back to the Coliseum to get my car and he had the bus turn around and take me there and that was that and I wrote a probably incoherent cover story for WHAT'S NEW magazine filled with too many Kenny Laguna quotes and dragged down by my inability to describe the sheer rock and roll power and wonder of Joan Jett sitting across from me on a tour bus in a dazzling daze. Punk attitude, classic-rock power, bubblegum hooks, mysterious grunts. The documentary BAD REPUTATION opens today and hell yeah... But speaking of Joan Jett, who I adore to this day, why do people keep insisting the #METOO movement hasn't reached the music industry? It has, in various ways. It's reached into executive suites, it's reached into rock, it's reached into hip-hop, it's reached into DJ booths, and long before #METOO became a media phenomenon, it was reaching deep into music's past. There's still a lot of work to be done, and there are still, no doubt, names to be named. None of those names may ever match HARVEY WEINSTEIN for pure evil or MATT LAUER for pure name recognition because few people alive, in any industry, will ever match that. Castles may or may not ever be toppled, but abusive men (and women) will... LIL WAYNE drops THA CARTER V, which we've been waiting for since roughly the Carter Administration, today, and KANYE WEST will follow a day later with YANDHI, which we've been eagerly awaiting since about last week. Both are a little too easy to gossip about and make fun of, and both make it a little too easy for us to forget they're two of this century's most towering, and vital, makers of pop music. Incredibly prolific, consistently sharp, with pop sensibilities and avant-garde ambitions. This shall be a good weekend... It's FRIDAY and that means there's also new music from LOGIC, JLIN, CHER, MARISSA NADLER, NILE RODGERS & CHIC, LORETTA LYNN, JON BATISTE, REASON, TIM HECKER, PINEGROVE, RESTORATIONS, FATIMA, ALT-J, JOSÉ JAMES, KEVIN GATES, ANDREW BERNSTEIN, BAYSIDE, THIS WILL DESTROY YOU, HORRENDOUS, CYPRESS HILL, the POM-POMS, LALA LALA, ROD STEWART, MUDHONEY, EXPLODED VIEW, TERROR, AURORA, AMY RAY, SAM PHILLIPS, BEARTOOTH, TONY JOE WHITE, MARIA MULDAUR the JOY FORMIDABLE and this TOM PETTY box set... RIP PAUL CURCIO. | | | - Matty Karas, curator | | | |  | The New Yorker | | The song seemed like Nashville's ham-handed response to the #MeToo movement. Then the debacle of the Brett Kavanaugh nomination happened. | | | |  | Billboard | | Founded by Quincy Jones and Time Inc., the glossy became the magazine of record for hip-hop culture, the East-West rap wars, Obama's rise and the street racers who inspired the "Fast and the Furious" franchise. | | | |  | Rolling Stone | | She was a traumatized child, a teenage mother, a gospel prodigy and a civil-rights champion. She channeled a world of pain into a sound all her own, but till the end, the greatest singer of her generation remained a mystery. | | | |  | NPR Music | | Two weeks ago, the European Commission approved new rules that will change how tech companies are required to deal with copyright infringement on their platforms. Unsurprisingly, it was controversial. | | | |  | UPROXX | | From his VMA and Grammy performances to his appearance on Netflix's "Rapture," the rapper's narrative has begun to shift. | | | |  | The New York Times | | After 40-plus years in rock, the singer and guitarist is as fierce and defiant as ever. A new documentary charts her pathbreaking rise. | | | |  | Rookie | | "To look at Cardi B as she is consumed and defined by a white gaze is to see normalcy othered." | | | |  | Variety | | Thanks to music residencies by the likes of Lady Gaga, Gwen Stefani, Queen and Aerosmith, the city in the desert is cool again. | | | |  | Reuters | | Tencent Music, which owns China's most popular music streaming apps, is often compared to Sweden's Spotify Technology, but it offers more in the way of socially interactive services that is helping it hit bigger notes in money making. | | | |  | The Bitter Southerner | | A Decade with Gregg Allman and the writing of a Grammy nominated song. | | | | | Billboard | | Quality Control's Pierre "Pee" Thomas and Kevin "Coach K" Lee, the duo behind Migos and Lil Baby, lead Billboard's annual list of the top 100 executives and creatives who have made R&B and hip-hop the hottest genres on earth. | | | |  | The Ringer | | Sir Paul isn't the first Beatle that comes to mind when you think of protest anthems, but the 76-year-old has a surprisingly deep catalog of political tracks--including a few on his latest album. | | | |  | Trapital | | Hip-hop's powerhouse label deserves praise for executing on a tremendous opportunity. | | | |  | gal-dem | | Is the post-race, navel-gazing white rapper a result of a hyper-saturated, postmodern society? Rebecca Liu argues that a shift in culture has brought us artists like Post Malone. | | | |  | Quartzy | | Game soundtracks from the '80s and '90s don't just take you back in time--they also influenced many popular artists today. | | | |  | Dazed Digital | | The UK music icon discusses the futile allure of celebrity, becoming a rave dad, and channelling chaos on their new album "No Tourists." | | | |  | MusicAlly | | Music-streaming service Pandora's analytics division Next Big Sound is opening up its data, in an effort to give Pandora metrics a higher profile within the music industry. | | | |  | NPR | | Stretch Armstrong and Bobbito Garcia of NPR's 'What's Good' podcast break down how hip-hop has borrowed from Latin music many times over the years. | | | | | Rolling Stone | | Hunter Ginn and Jeff Wagner's deep dives into the wildest, weirdest reaches of the underground sum up why the most obscure music can inspire the fiercest passion. | | | |  | Flood Magazine | | The "Our Band Could Be Your Life" writer has a new book, "Rock Critic Law," which lays out 101 of the tropes that lazy music writers can't seem to help but fall back on over and over. But he isn't mad-he's just trying to make writers better. | | | | |  | | YouTube | | | | | | | | | | | From "Autobiography," out today on Planet Mu. | | | | | | | | © Copyright 2018, The REDEF Group | | |
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