jason hirschhorn's @MusicREDEF: 10/12/2018 - Music Modernized!, Rethinking Ticketing, Dating on Tour, Twenty One Pilots, Elvis Costello...

Kanye West is not Picasso / I am Picasso / Kanye West is not Edison / I am Edison / I am Tesla.
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Ella Mai's self-titled debut album is out today on 10 Summers/Interscope.
(Gus Stewart/Redferns/Getty Images)
Friday - October 12, 2018 Fri - 10/12/18
rantnrave:// The MUSIC MODERNIZATION ACT has been signed, sealed and delivered and goes into effect on Jan 1, 2020. The sweeping bill makes several major changes to the way digital royalties are tracked, valued and paid; most notably, it creates a new agency, run by songwriters and publishers, to oversee digital mechanical licensing. "A great day and a new era for the music industry," in the words of ASCAP CEO ELIZABETH MATTHEWS. "The most comprehensive legislation in music history," per lyricist, podcaster and activist ROSS GOLAN. "Every professional songwriter in America who has suffered devastating economic losses in the era of digital music delivery can now breathe a sigh of relief," said STEVE BOGARD, president of NASHVILLE SONGWRITER ASSOCIATION INTERNATIONAL. Engineers and producers will benefit, too, as will streaming music services, who for the first time can secure blanket mechanical licenses. The legislation, which brought together three separate bills, was the result of years of dealmaking, compromise, lobbying and sweat—and a little last-minute scrambling. And now, in some ways, the even harder work begins. The legislation calls for the creation, from scratch, of a new licensing agency. How it's formed "and which private companies emerge as partners will be of immense interest in the music industry," the TENNESSEAN's NATE RAU writes, with a patina of understatement. It also means building a comprehensive database of songs and recordings, "an ambitious undertaking that has yet to be successfully completed in past industry attempts," as BILLBOARD's ED CHRISTMAN notes. The lobbying effort, presumably, now turns from Washington to Los Angeles, Nashville, New York and Silicon Valley. But today is a day for champagne and celebration. And while there is reorganizing ahead, it's worth appreciating the organizing that's already been done. "We are no longer the exploited sleeping giant," Golan said of his fellow songwriters and artists. "We are here and we are organized. We were told uniting songwriters is like herding cats. Well we did and now we are a pride of lions"... Absent from the WHITE HOUSE signing ceremony for the Music Modernization Act were any major pop stars and many of the music industry figures who spilled their blood to get the law passed. BILLBOARD reports on several last-minute disinvitations... This upcoming scripted series on HULU ain't nuthing ta f*** wit... LINDSEY BUCKINGHAM sues his former FLEETWOOD MAC bandmates. We look forward to a settlement that requires them to reunite and record an album about it... FYRE FESTIVAL organizer BILLY MCFARLAND gets six years in federal prison... There's a marimba-playing robot named SHIMON who has learned how to improvise with a live band and is totally not terrible (but who has not yet been asked to join Fleetwood Mac)... It's FRIDAY and that means new music from ELLA MAI, QUAVO, ST. VINCENT, USHER (surprise!), KURT VILE, ELVIS COSTELLO & THE IMPOSTERS, AMBROSE AKINMUSIRE, BELLY, COLTER WALL, TOM MORELLO, RÜFÜS DU SOL, WILLIAM BASINSKI & LAWRENCE ENGLISH, JAAKKO EINO KALEVI, YOUNG THE GIANT, TRIPPIE REDD, SHY GLIZZY, BLACK EYED PEAS, MATTHEW DEAR, ADAM HOOD, YOUNG BUCK, EDIE BRICKELL & NEW BOHEMIANS, JIMMIE ALLEN, JESS GLYNNE, JUSTIN COURTNEY PIERRE, BERES HAMMOND, JOHN GRANT, JOHN HIATT, SARAH BORGES, PRIMAL SCREAM, the WATSON TWINS, MORGAN EVANS, CALVIN JOHNSON, the DODOS, LINDSAY BEAVER and the BOTTLE ROCKETS. Also, jingle my bells, Christmas albums are starting to coming out, like a lot of them, but basketball season hasn't even begun so all you need to know for now, maybe, is that ERIC CLAPTON pays tribute to AVICII on his... RIP RANDALL CLAY.
- Matty Karas, curator
masseduction
recode
Former Ticketmaster CEO Nathan Hubbard explains why live venues are leaving money on the table
by Peter Kafka and Nathan Hubbard
Hubbard says they need his startup Rival, which will publicly launch next year.
The Fader
How Hillsong Church conquered the music industry in God's name
by Kelsey McKinney
Known for its celebrity members and chart-topping worship songs, Hillsong Church's secret weapon is its army of talented volunteers.
Refinery29
Sex, Drugs, & Nights Alone: Inside The Dating Lives Of Touring Musicians
by Elena Nicolaou
Inside the quick affairs, jealous spats, pick-up lines, and longings that define a touring musician's love life.
Billboard
President Trump Signs Music Modernization Act Into Law With Kid Rock, Sam Moore As Witnesses
by Ed Christman
At long last the Music Modernization Act was signed into law today by President Donald Trump, witnessed by a smattering of industry executives and such recordings artists as Kid Rock and John Rich, the president's besties.
Songtrust
The Music Modernization Act and You
by Seth Lorinczi
With the passing into law of the Music Modernization Act, guest writer Seth Lorinczi takes a deeper look into the current music business inadequate system of compensating music creators and rights holders fairly in order to truly understand why these new changes are so historic.
The Ringer
The Best Songs in the (Fictional) Universe
by Rob Harvilla and Shea Serrano
Lady Gaga and Bradley Cooper's "Shallow" got us thinking: What are the best songs written or performed on screen by characters in a movie?
Stereogum
Twenty One Pilots May Not Be For You (Because They're For Everyone)
by Chris DeVille
In 2015, Twenty One Pilots were the biggest band you've never heard of. By the end of the following year, they were the biggest band, period. After debuting at #1 three years ago with "Blurryface," their second album for Warner subsidiary Fueled By Ramen, the Columbus duo kept up the slow-burn growth that had lifted them from unknowns to grassroots cult heroes to major-label radio stars.
Trapital
How Hip-Hop Producers Lost Their Power
by Dan Runcie
Mega-producers once had remarkable runs, but changes in the industry made it difficult for today's best producers to stay on top for long.
MusicAlly
Albums in the streaming era: 'Think of it as a blank canvas for telling stories'
by Stuart Dredge
Streaming is a world of tracks and playlists rather than albums, right? An event in London organised by British industry bodies the BPI and ERA promised to explore the role of the album in the streaming era, including some stats and views pushing back on the assumption that it doesn't have one.
Pitchfork
An Ode to Elvis Costello's Stellar Backing Bands, the Attractions and the Imposters
by Tyler Wilcox
With Elvis Costello and the Imposters' first new LP in over a decade out this week, our Invisible Hits column celebrates his longtime backing bands with standout performance clips from over the years.
masseducation
Billboard
Grammys Preview: Post Malone, Dua Lipa & Ella Mai Discuss the Pivotal New Awards Season
by Megan Buerger
With all the music that's eligible out and votes for nominees soon due in, a new awards season awaits -- with #grammyssomale fresh in the music world's memory. Will a jolted academy, armed with expanded categories, deliver a reinvigorated ceremony in Los Angeles when it airs Feb. 10, 2019? Grammy hopefuls Dua Lipa, Ella Mai and Post Malone weigh in.
The Atlantic
Migos' Crossover Win at the AMAs Signals an Imminent Industry Shift
by John Vilanova
In a music business once defined by stark genre separations, consumer culture is shifting the way songs are (or aren't) categorized.
The Tennessean
First look: Inside the Grand Ole Opry's $12M expansion
by Nate Rau
The Grand Ole Opry's $12 million expansion and renovation was completed in time for shows this weekend to celebrate its 93rd birthday.
Catapult
My Fathers and Hip-Hop Taught Me About Self-Care as A Black Man
by Jesse Bernard
If cancer and trauma are hereditary, is it not my responsibility to do everything in my power to ensure neither my children nor I have to suffer?
Noisey
Heavy Metal Can Help You Survive Anything
by Kim Kelly
Or, how riffs can help us cope in a post-Kavanaugh world (plus new tunes from Uncle Acid & the Deadbeats, Iron Reagan, Cloud Rat, and more).
Noisey
Ask a Lawyer: Can Rappers Get Paid for Creating 'Fortnite' Dances?
by Jessica Meiselman
The legal short answer is, well, it's complicated.
The Guardian
How BTS became the world's biggest boyband
by Taylor Glasby
With One Direction on indefinite hiatus, the globe's boybands have been slugging it out for the top spot. Meet the seven K-poppers who won, after wowing both the US and the UK.
Passion of the Weiss
Detroit Rap City: A Survey of the Motor City Renaissance
by Harold Bingo
Harold Bingo scours the streets of the D beyond Sada Baby and Payroll Giovanni to look at new projects from Cash Kidd, FMB DZ, Drego and Beno, Allstar JR, and Rocky Badd.
DJBooth
To Be Seen Is to Be Heard: Visibility Is No Longer an Option
by Yoh Phillips
Today, it takes more than just great songs to be heard. It takes imagination, collaboration, and great presentation.
Vulture
Considering the State of Things, Music's Obsession With Nostalgia Makes a Lot of Sense
by Larry Fitzmaurice
Remember when nostalgia was considered lame? Specifically, a little under 15 years ago, when Wichita Falls pop-punks Bowling for Soup's cover of Baltimore kindred spirits SR-71's "1985" became a minor hit on the airwaves. (Interestingly, both bands dispute who came up with the idea to have Bowling for Soup cover the song -- an instance where remembering the past felled both outfits.)
MUSIC OF THE DAY
YouTube
"Elvis Costello & the Imposters"
Suspect My Tears
From "Look Now," out today on Concord.
"REDEF is dedicated to my mother, who nurtured and encouraged my interest in everything and slightly regrets the day she taught me to always ask 'why?'"
@JasonHirschhorn


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