We love roll call, y'all. Boogie Down Productions, Rob Base, Dana Dane, Marley Marl, Olatunji, Chuck D, Ray Charles, EPMD, EU, Alberta Hunter, Run-DMC, Stetsasonic, Sugar Bear, John Coltrane, Big Daddy Kane, Salt-n-Pepa, Luther Vandross, McCoy Tyner, Biz Markie, New Edition, Otis Redding, Anita Baker, Thelonious Monk, Marcus Miller, Branford Marsalis, James Brown, Wayne Shorter, Tracy Chapman, Miles Davis, Force MDs, Oliver Nelson, Fred Wesley, Maceo, Janet Jackson, Louis Armstrong, Duke Ellington, Jimmy Jam, Terry Lewis, George Clinton, Count Basie, Mtume, Stevie Wonder, Bobby McFerrin, Dexter Gordon, Sam Cooke, Parliament-Funkadelic, Al Jarreau, Teddy Pendergrass, Joe Williams, Wynton Marsalis, Phyllis Hyman, Sade, Sarah Vaughan, Roland Kirk, Keith Sweat, Kool Moe Dee, Prince, Ella Fitzgerald, Dianne Reeves, Aretha Franklin, Bob Marley, Bessie Smith, Whitney Houston, Dionne Warwick, Steel Pulse, Little Richard, Mahalia Jackson, Jackie Wilson, Cannonball and Nat Adderley, Quincy Jones, Marvin Gaye, Charles Mingus and Mary Lou Williams. | | | | Fight the powers that be: Bill Nunn as Radio Raheem in "Do the Right Thing."
(40 Acres and a Mule Filmworks/Universal Pictures) | | | | | |  | "We love roll call, y'all. Boogie Down Productions, Rob Base, Dana Dane, Marley Marl, Olatunji, Chuck D, Ray Charles, EPMD, EU, Alberta Hunter, Run-DMC, Stetsasonic, Sugar Bear, John Coltrane, Big Daddy Kane, Salt-n-Pepa, Luther Vandross, McCoy Tyner, Biz Markie, New Edition, Otis Redding, Anita Baker, Thelonious Monk, Marcus Miller, Branford Marsalis, James Brown, Wayne Shorter, Tracy Chapman, Miles Davis, Force MDs, Oliver Nelson, Fred Wesley, Maceo, Janet Jackson, Louis Armstrong, Duke Ellington, Jimmy Jam, Terry Lewis, George Clinton, Count Basie, Mtume, Stevie Wonder, Bobby McFerrin, Dexter Gordon, Sam Cooke, Parliament-Funkadelic, Al Jarreau, Teddy Pendergrass, Joe Williams, Wynton Marsalis, Phyllis Hyman, Sade, Sarah Vaughan, Roland Kirk, Keith Sweat, Kool Moe Dee, Prince, Ella Fitzgerald, Dianne Reeves, Aretha Franklin, Bob Marley, Bessie Smith, Whitney Houston, Dionne Warwick, Steel Pulse, Little Richard, Mahalia Jackson, Jackie Wilson, Cannonball and Nat Adderley, Quincy Jones, Marvin Gaye, Charles Mingus and Mary Lou Williams."
| | | | | | rantnrave:// A programing note: MusicREDEF is going on holiday for a week of fireworks, old town roads and trying to calm down. We'll be back Monday, July 8. We'll continue to update our website and TWITTER feed in the meantime... And we'll be rewatching SPIKE LEE's DO THE RIGHT THING, back in theaters today for its 30th anniversary. Maybe my favorite movie of all time. Certainly one of the best movies ever made about New York. "Do the Right Thing" simultaneously romanticizes and deromanticizes the city while cutting through the clutter of a hot summer day in Brooklyn to get at some basic truths about racism, police brutality, our shared humanity, the allure of a good slice of pizza, the power of music, the power of dance. Thirty years later, it all rings just as true. Including the music. In one sense, "Do the Right Thing" is a two-hour music video for PUBLIC ENEMY's "FIGHT THE POWER"; it's certainly one of the reasons for the song's place in hip-hop, and pop, history. (Lee also directed two traditional videos for the song.) But the film also serves as an aesthetic argument for a broad swath of then-contemporary black music, from PE's sonic barrage to TEDDY RILEY's New Jack Swing to AL JARREAU's jazz pop. In Lee's hands, all of it registers as politics, as resistance, as community, as identity. No to FRANK SINATRA; yes to Jarreau. No to BRUCE SPRINGSTEEN; yes to CHUCK D. No to Chuck D; yes to RUBÉN BLADES. No to Rubén Blades; yes to Chuck D. Most of the music is queued up by two resident DJs—SAMUEL L. JACKSON's MISTER SEŃOR LOVE DADDY, who overlooks the city block where the entire film takes place from the open-windowed studio of a small radio station, and BILL NUNN's RADIO RAHEEM, who works at street level, walking around playing nothing but Public Enemy on a giant boombox powered by 20 D batteries. The former is soundtracking a sizzling urban day by gently queueing up tracks like TAKE 6's "DON'T SHOOT ME" and STEEL PULSE's "CAN'T STAND IT" on his turntables. The latter is blasting a nonstop one-note political speech at top volume. Both are evangelizing for the same thing. The roll call that Love Daddy recites halfway through the film (see quote of the day, above) is an all-black 20th century music canon, a rebuke to baby boomer classic-rock orthodoxies and one hell of a record collection. It's also, I like to believe, an argument that all music—love songs, heartbreak songs, dance songs, blues songs, civil rights songs—exist to speak truth to the powers that be, and to give hope to the powers that want to be. They're part of an ongoing battle, a battle that Lee made explicit, a battle that continues in pop music today... How Chinese Jamaicans made their mark on reggae... Why streaming services should, and do, care about older music... WEIRD AL drops MICHAEL JACKSON parodies from his set... It's FRIDAY and that means new music from BAD BUNNY & J BALVIN, the BLACK KEYS, RUNAWAY JUNE, FREDDIE GIBBS & MADLIB, MUSTARD, THOM YORKE (released on Thursday), KIM PETRAS, DANIEL CAESAR, JADE JACKSON, MICHAËL BRUN, JD ALLEN, ABDULLAH IBRAHIM, INGRID MICHAELSON, PEGGY GOU, the TALLEST MAN ON EARTH, RAHEEM DEVAUGHN, CHICK COREA, the APPLESEED CAST, SOFIA BOLT, JULIA MICHAELS, MINDI ABAIR & THE BONESHAKERS, CHRIS STAPLES, OUTER SPACES, SPIRITS HAVING FUN, CHRIS STAMEY, HORSE JUMPER OF LOVE, CHASE ATLANTIC, the ECHO IN THE CANYON soundtrack and, if you must, CHRIS BROWN... And CHANCE THE RAPPER's three mixtapes are on streaming services for the first time... RIP MICHAEL JAFFEE. | | | - Matty Karas, curator | | | | | | | radio raheem blastin' that big box | |  | The Ringer | | Lil Nas X's 'Old Town Road' is both a chart-topping phenomenon and a turning point for the music business. Here's what happens when a social media platform becomes a label. | | | |  | The Information | | For the leaders of Spotify, one of the biggest challenges of running the global leader in streaming music is bridging different worlds-that of media and tech, and also New York and Stockholm, where its biggest offices are located. | | | |  | Black Perspectives | | Spike Lee's brilliance as a filmmaker and tastemaker is tied to his use of the Black musical archive. Nowhere was this more pronounced than the song that opens "Do This Right Thing," Public Enemy's "Fight the Power." | | | |  | Slate | | In the spring of 1964, the world was desperate for a new Beatles song. Two goofy English folk singers had one. Then things got weird. | | | |  | The Independent | | People have had all these expectations, but still to this day he just does what makes sense to him. It must take courage. | | | |  | British GQ | | As festival-goers head to Glastonbury this weekend, GQ investigates the sexual harassment epidemic that currently plagues festival culture in the UK, speaking to the activists and campaigners fighting for change. | | | |  | Markets Insider | | Universal Music Group's parent company, Vivendi, is considering selling a portion of the music label to Tencent, a China-based social-media and internet company. The deal could be subject to review by a US committee that examines business investments for potential national-security risks. | | | |  | Billboard | | Users who "pre-save" upcoming releases to their Spotify accounts can hear music as soon as it's out - but may not realize how much data they're giving up in order to do so. | | | |  | Complex | | Leaked Playboi Carti songs keep getting added to Apple Music and Spotify. The fans behind these unauthorized uploads tell Complex why and how it's happening. | | | |  | The Philadelphia Inquirer | | Phish fans and Philadelphians are true brothers in arms. | | | |  | AppleInsider | | The app that made it so easy to play music on your Mac that it transformed the entire music industry is going away, but the legacy lives on. As Apple scraps the omnibus iTunes app and breaks it up into multiple parts, AppleInsider looks at what went so right -- and then so wrong. | | | |  | The New York Times | | Success led to burnout for the blues-rock duo. But after a five-year break, Dan Auerbach and Patrick Carney return with their ninth album, "Let's Rock." | | | |  | Rolling Stone | | Miranda Lambert, Maren Morris, Lindsay Ell prove women can compete via stellar sets at Chicago's LakeShake. | | | |  | Music Business Worldwide | | Rodney Jerkins, aka Darkchild, joins MBW's World's Greatest Songwriters series. | | | |  | The FADER | | Genius is accusing the world's biggest search engine of stealing its lyric transcriptions. Even if they're right, it's difficult to see that holding up in court. | | | |  | Variety | | Albums by Ariana Grande, Billie Eilish, Halsey, Khalid, BTS and Bad Bunny led to a record 507 billion on-demand streams in the first six months of 2019, according to Nielsen's mid-year report, which "outlines the music industry's leading trends, data and insights over the past six months." | | | |  | The Atlantic | | In the fantasy jukebox musical 'Yesterday,' the only person in the world who remembers the Fab Four takes the band's music as his own. How the film re-imagines an iconic oeuvre through a single voice. | | | |  | The Associated Press | | Back in the summer of 2005, Drexel University's Music Industry program got a very curious phone call. On the line was the owner of a storage facility in Philadelphia, wondering if the school would be interested in thousands of music studio tapes, seemingly abandoned in a unit for which no rent had been collected in a long time. | | | | | Billboard | | Spotify global head of music Nick Holmstén manages the company's relationships with artists and labels at a fraught time for the streaming giant. Will his tech-centric view of playlists help break new acts -- or give programs more power than programmers? | | | |  | Los Angeles Times | | A judge ordered the release of grand jury transcripts Thursday after The Times argued in court for public access. | | | |  | The Washington Post | | The dismissal comes as content moderators at Facebook make a new push for better treatment. | | | |  | The Outline | | As we move into an era of increasingly convoluted and exclusionary music-playing options, a moment of recognition is in order for the last great car stereo equalizer. | | | | |  | | YouTube | | | | | | | | | | | From "Do the Right Thing." One of the all-time great title sequences. The first half minute is Branford Marsalis playing "Lift Every Voice and Sing." | | | | | | | | © Copyright 2019, The REDEF Group | | |
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