People might argue that it's not rock and roll, but that 'Rhythm Nation' stuff kicked ass. | | | | Rock Hall of Famers the Cure showing you how they do that trick at soundcheck in Philadelphia, May 17, 1992.
(Ebet Roberts/Redferns/Getty Images) | | | | | |  | "People might argue that it's not rock and roll, but that 'Rhythm Nation' stuff kicked ass."
| | | | | | rantnrave:// All things considered, this is a good ROCK AND ROLL HALL OF FAME class, maybe even a great one, the absence of KRAFTWERK, the METERS, the SHANGRI-LAS, the SMITHS and [FILL IN YOUR OWN FAVORITE OVERSIGHT] notwithstanding. A watershed year, perhaps. Seven sentences and seven links for seven new inductees: ROXY MUSIC introduced BRIAN ENO to the world and then got better after he left, which is as Hall or Fame an achievement as any Hall of Famer has ever achieved, and made art-rock sexy, and never made anything even remotely resembling a bad album, and I disagree vehemently with your FLESH + BLOOD complaint and mildly with your MANIFESTO argument... The walls of I.M. PEI's hall are lined with singers who sounded happy even when they were sad, whereas ROBERT SMITH has made a career of sounding sad even when he's happy, which makes him and the CURE ideal candidates to be the first full-on goth heroes to break on through those walls... At her '80s and '90s peak, JANET JACKSON was pretty much the platonic ideal of futurist R&B and she sang for freedom, independence and pleasure with greater fervor (and pinpoint accuracy) than many of the men and women who preceded her into the hall, and if JUSTIN TIMBERLAKE ever wants to visit her and say he's sorry, he now knows where to find her... DEF LEPPARD is either the only bubblegum pop band that could hold its own in a fight with METALLICA or the only metal band that could comfortably share a stage with CHARLI XCX, or both, which means it will fill at least two cracks in the Hall's walls, which is awesome, but if you don't follow up and induct JUDAS PRIEST in 2020 and IRON MAIDEN in 2021 there will be earthquakes and tornadoes and volcanic eruptions like you've never seen before and it will be your fault... RADIOHEAD's summer 2001 show in LIBERTY STATE PARK in New Jersey, with the Statue of Liberty waving her torch in approval in the background, one month before 9/11 and two months after AMNESIA completed one of the great mid-career pivots in classic rock history (please don't @ me re the "classic rock" thing), remains one of the most thrilling rock concerts I've ever seen, and nearly two decades later the band has yet to bow down or give in to anyone or anything (good luck getting THOM YORKE and company to the March 29 induction ceremony)... You can argue that if STEVIE NICKS' career didn't literally start until 1981 no one would be making a Hall of Fame case for her, but unless you're prepared to make the same argument against the similarly PRINCE-approved GEORGE HARRISON/1971 and bodily remove him from the Hall, then I don't want to hear it and you should just stand back, recognize an all-time rock and roll rasp and salute the first woman to be inducted twice... The ZOMBIES opened their second and final album (post-reunion releases do not count here) with a brash BEACH BOYS-style letter to a lover who's about to be released from prison, followed it with a WILLIAM FAULKNER homage, misspelled the name of their own album and would have faded into cult obscurity if not for the singular majesty of COLIN BLUNSTONE's tenor, and still kind of faded into obscurity anyway, a fate from which being the second-to-last band, alphabetically speaking, to make it into the Rock and Roll Hall of Fame may or may not rescue them... KANYE v. DRAKE, the publishing explainer... Mi cabeza da vueltas... It's FRIDAY and that means new music from BRUCE SPRINGSTEEN (plus a little NETFLIX film that drops Sunday), OFFSET (maybe; things have changed in the past two weeks), ZAYN, VIC MENSA, KODAK BLACK, MITCHELL TENPENNY, the DECEMBERISTS, BIG K.R.I.T., KAREN O & DANGER MOUSE, VENOM, JARBOE, HALLOWEEN ALASKA, and the VOX LUX and SPIDER-MAN: INTO THE SPIDER-VERSE soundtracks... RIP the great jazz (and more) singer NANCY WILSON... Best wishes to DONNIE MCCLURKIN. | | | - Matty Karas, curator | | | |  | Rolling Stone | | Cardi B, Kacey Musgraves, Camila Cabello, Pistol Annies, Ariana Grande... | | | |  | Billboard | | YouTube says it can't always figure out who to pay for a song. Should that shape EU copyright legislation -- and the rates it pays to all rightsholders? | | | |  | Real Life | | Since the early 20th century, the music industry has remained in a near-constant state of technological change comparable to that facing the overall labor market today: a gig economy in which the very nature of work shifts radically on a regular basis, and with it opportunities to make a living. | | | |  | The New Yorker | | As the singer-songwriter approaches his mid-seventies, he's making records that continue to breathe life into the soul and R. & B. music that first inspired him, decades ago. | | | |  | Stereogum | | In late 2017, alternative rock radio returned to New York City for the first time in six years. 92.3 FM made the switch from pop to rock, which at the time was welcome news since NYC already has a behemoth in Z100 for top charts, and like with the city's sports teams, there's only a real need for one of the same thing. | | | |  | The Associated Press | | In the wise words of James Corden, there comes along a song every so often that defines a generation. Doo doo doo doo doo doo. | | | |  | The Daily Beast | | The new documentary 'GG Allin: All in the Family' examines the life of controversial punk-rock provocateur GG Allin, and the family he left behind. | | | |  | Variety | | As with any success in entertainment, the rush to replicate The Boss' one-man show reportedly is under way. But unlike the Vegas residency model, where pop and rock stars scale down arena-level productions to a more intimate setting, the mechanics that made "Springsteen On Broadway" work so well are much more complex. | | | |  | Longreads | | One female rapper's hit song bypassed the hip-hop boys club that held her debut solo album back. | | | | | Billboard | | For the first time since its inception, Billboard's Country Airplay chart had no females in the top 20. And then it happened again the next week. Country music execs weigh in. | | | |  | The New York Times | | Parterre Box started 25 years ago, smuggled into bathrooms at Lincoln Center. Now it is an essential, respected voice in the opera world. | | | |  | FACT Magazine | | Lotic, Pendant, RosalÃa, Barker, Rico Nasty... | | | |  | Metal Insider | | We are all human and it doesn't matter if you are a famous rockstar, truck driver, writer, chef, etc.. Everyone will experience pain, joy, heartache, sadness, grief, pleasure, excitement, and anger. These are human emotions. However, when we feel there is nothing left, we all turn to music for guidance. | | | |  | The Ringer | | Everyone's favorite coke rapper delivered an instant classic album and the most scathing diss of 2018 while brushing off the mainstream as it came calling for him. | | | |  | Complete Music Update | | Ah, the good old "can a two second sample possibly constitute copyright infringement" debate, that never gets old does it? Now the Advocate General of the European Union's Court Of Justice has pondered on this very topic as the incredibly long running legal battle between Kraftwerk and rapper Moses Pelham somehow still continues to go through the motions. | | | |  | The Vinyl Factory | | "Working for Aphex Twin is like working for a scientist." | | | |  | A.V. Music | | Paul Williams helped build the sound of the 1970s, penning hits for The Carpenters and Three Dog Night before picking up a Grammy and an Oscar for his contributions to the Barbra Streisand-Kris Kristofferson version of "A Star Is Born." | | | |  | Vulture | | Some songs from the year 1975 for those who love to love, love to hate, hate to love, or love to try to figure out the 1975. | | | | | Variety | | In a typical post-awards show scene, two music professionals start a friendly conversation at a bar. "I start telling him, 'I'm the king of all jingles,'" says Jared Gutstadt, co-founder of Jingle Punks, the venerable production music house that he launched 10 years ago."I thought I was talking to a complete stranger." | | | | | Stereogum | | The acclaimed singer-songwriter on Juuling with Jason Isbell, Yanny vs. Laurel, and Boygenius. | | | | |  | | YouTube | | | | | | | | | | | "It's time to give a damn, let's work together." | | | | | | | | © Copyright 2018, The REDEF Group | | |
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