| [Women] get s***ted on when it comes to lineups on festivals and concerts. We get s***ted on in playlisting. We get s***ted on in the business side when it comes to getting clearances and CEOs from labels having a say in whether or not they think their male artist is doing us a 'favor' by giving us a feature... I'm grateful for how far we've come, but it is still a long way to go for women in music. |
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 | | Latto at August Hall in San Francisco, March 20, 2022. | | (Steve Jennings/Getty Images) | | |
| quote of the day |
| "[Women] get s***ted on when it comes to lineups on festivals and concerts. We get s***ted on in playlisting. We get s***ted on in the business side when it comes to getting clearances and CEOs from labels having a say in whether or not they think their male artist is doing us a 'favor' by giving us a feature... I'm grateful for how far we've come, but it is still a long way to go for women in music." | | - Latto | |
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| rantnrave:// |
Tipping Points
I've seen various iterations of tipping platforms where fans could put a few extra dollars in their favorite artists' pockets, but ASLICE, which launched Tuesday as a public beta, may be the first one I've seen designed for artists to tip other artists. Minneapolis techno DJ DVS1 founded the company, which asks DJs to voluntarily hand over a percentage of their live performance fees to the producers whose music they play in their sets, and gives them a tool to automate the process. "The existing models... don't work," DVS1 told DJ Mag's DECLAN MCGLYNN.
The primary existing model is ASCAP and BMI, but DVS1, aka ZAK KHUTORETSKY, says it doesn't work well in DJ settings—"reporting our playlists [is] difficult or nearly impossible"—and producers are often making nothing from gigs that can be extremely lucrative for the DJs who play their songs. Aslice is asking DJs to share 5 percent of what they earn, though they can set the percentage to any number they like. Khutoretsky says DJs were receptive to the idea during a private beta, and the tool itself, which automates the process of uploading playlists and allocating the money, was a driving factor. Make it easy, he suggests, and artists are happy, eager even, to share.
The uneven allocation of payments between different creators is a familiar one in music. Think, for example, of the disparity between how labels/artists and publishers/songwriters are paid by streaming services (or the reverse disparity between how they're paid by terrestrial radio, at least in the US). The battles both within and without the industry to address those imbalances have been long and largely fruitless—at least partly because, as my friend BILL WERDE writes in his new weekly newsletter, Full Rate No Cap, "the music publishers... can't in any way publicly attack the labels that are taking an unfair share. Because they are all owned by the same people!" Aslice is basically saying if the suits can't—or don't want to—figure it out, let's do it ourselves. DIY royalties.
Will DJs take this up? Could it provide a model for cooperation between composers and performers elsewhere? Should this be an artist's job? It's certainly an interesting experiment. Says Khutoretsky: "I would challenge any DJ who earns money playing other people's music to really think about this simple question: Do you feel you do enough to support the people whose music you play? Do you think that the existing systems and opportunities are fair for producers?"
Dot Dot Dot
A Concert for Ukraine Tuesday night in Birmingham, England, featuring ED SHEERAN, CAMILA CABELLO, MANIC STREET PREACHERS, NILE RODGERS and Ukrainian pop star JAMALA raised £12.2million for humanitarian aid... ERIC CHURCH has canceled a sold-out arena show scheduled for Saturday in San Antonio because he wants to watch the North Carolina–Duke game in the NCAA Men's Final Four that night. In a note emailed to ticketholders by TICKETMASTER, Church called the cancellation—announced with only four days' notice—"the most selfish thing" he's ever done. Reaction on Twitter was mixed, not unlike reaction on Twitter to everything that's ever happened. Church is a Carolina native and a lifelong UNC fan... THE US Supreme Court has agreed to hear a copyright case involving a series of PRINCE paintings by ANDY WARHOL, based on a black-and-white photo by music photographer LYNN GOLDSMITH. Goldsmith, who was unaware of the paintings until decades after Warhol died, sued when she discovered them. A district court judge sided with Warhol's estate, saying the paintings had fundamentally transformed the original image. An appeals court overturned that ruling, saying a judge "should not assume the role of art critic." The Supremes are expected to hear the case this fall.
Rest in Peace
British DJ and radio/TV presenter SUPERFLY, remembered as a godfather to the Bristol music scene.
| | - Matty Karas (@troubledoll), curator | |
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 | | The Ringer |
| | The Survival Psalms of Soul Glo | | By Brian Josephs | | The Philadelphia hardcore punk band just released an early contender for album of the year. But they've got bigger things on their minds. | | |
 | | The Culture Journalist |
| | Who owns Mac Miller's story? | | By Emilie Friedlander and Andrea Domanick | | The tricky business of biography in the stan era, with Paul Cantor. | | |
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 | | SFChronicle Datebook |
| | At the S.F. Disco Preservation Society, '90s rave culture lives on | | By Tamara Palmer | | Picture it: San Francisco, 1994. Bay Area revelers of all colors dancing, smiling and vibing together on a makeshift dance floor. A woman threads together a series of dance music records made by different producers, but seemingly united by the same deep and throbbing bass lines. | | |
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 | | Broken Record |
| | Broken Record: Missy Elliott and Rick Rubin | | By Rick Rubin and Missy Elliott | | Missy Elliott talks to Rick Rubin about her wide-reaching influence and creative process. She explains what it was like writing for Aaliyah and working with Timbaland. | | |
 | | Pollstar |
| | The Year Of The Stadium: Some Gridirons To Host Up To 15 Concerts | | By Don Muret | | Allegiant Stadium alone has 15 concerts confirmed for 2022 in Las Vegas, including Metallica and Billy Joel, which took place in February. SoFi Stadium had 11 shows on sale and 10 concerts have been announced at MetLife Stadium. Those are unprecedented numbers for stadium shows, even in major markets such as New York and Los Angeles. | | |
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 | | Slate |
| | Dua Lipa's Copyright Problem | | By Mary Harris and Jeremy Orosz | | In two lawsuits, the popstar is accused of ripping off other artists' work to write her hit song "Levitating." Could these cases upend the music industry? | | |
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| what we're into |
|  | | Video of the day | | "Royalty Free: The Music of Kevin MacLeod" | | Ryan Camarda | | A different kind of.disruption. You will have questions, even before, as Glenn Kenny's NY Times review notes, the subject tells us, "Right now, I treat a lot of my depression with alcohol, and it works." | | |
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| Music | Media | | | | | | Suggest a link  | | "REDEF is dedicated to my mother, who nurtured and encouraged my interest in everything and slightly regrets the day she taught me to always ask 'why?'" |
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