I'm the interpreter. I'm the one who takes your words and brings them to life. | | | | Aaliyah, who would have turned 40 this year, performing on "The Tonight Show With Jay Leno," April 26, 2000.
(Paul Drinkwater/NBCUniversal/Getty Images) | | | | | |  | "I'm the interpreter. I'm the one who takes your words and brings them to life."
| | | | | | rantnrave:// Whether MYSPACE lost as many as 50 million user-uploaded songs through its own incompetence or simply dumped them, as more than a few internet pundits believe, is somewhat beside the point. Whether you were aware, until a day or two ago, that MySpace still existed is similarly unimportant. Let's put notions of quality aside as well. Maybe a few of those 50 million songs were as good as the 10,000th-best song currently residing on SOUNDCLOUD and maybe they weren't, but that's not for me, you or MySpace to decide. What matters today is that as many as 50 million songs are gone and that a website that, for better or worse, still wants you to share and entrust your memories with it is responsible for losing them. And having apparently had as long as a year to think of a way to explain itself, the site had exactly this to say: "We apologize for the inconvenience and suggest that you retain your backup copies." Seriously. A corporate comms office came up with that. Let's take the second half of that first. Yes, everyone who uploads music or photos or poems or diary entries or anything should back it all up if it matters to them. That goes without saying. But here's who else should back everything up: any website that respects the art and memories you bring to it and that wants your continued business. MySpace claims to have lost 12 years' worth of users' music, photos and video during a "server migration project," which, though I'm not an expert, I assume normally would include making backup copies before you start. So, 2018 MySpace, maybe you should have read 2019 MySpace's note before starting that project. And then the other half: "We apologize for the inconvenience"? Um, no. A 24-hour server outage is an inconvenience. A hack is as bigger inconvenience. A "we lost everything you've ever sent us" is something else altogether, and deserves a little more by way of apology and contrition, don't you think? It might even deserve some tangible action. Some tangible reflection, too. Because this is going to happen again. And again. At any number of sites. Do you have backups of every photo you've uploaded to FACEBOOK over the past decade, should those links ever break? Can you recover every video you've uploaded to YOUTUBE? Will you be able to re-create every playlist you've made in SPOTIFY should that company ever decide your playlists aren't as important to it as they are to you? In the past few weeks, for some reason, several friends have posted photos on social media of old favorite mixtapes. The photos are ephemeral digital dust. But the mixtapes are forever—the magnetic tape, the handwritten song titles, the segues, the thought and love behind them. Who do you trust to keep your MP3s, your playlists and your art with just as much love, just as much honor, just as much permanence? Who will earn that trust with tangible action?... SPOTIFY is considering town halls to explain to the songwriting community why it's trying to prevent songwriting royalties from going up. This according to ADVANCED ALTERNATIVE MEDIA's MARK BEAVEN, who, in an open letter to his influential "songwriter family and friends," suggests they "respectfully" not attend unless Spotify includes top songwriting/publishing reps in the presentation. Such as DAVID ISRAELITE of the NATIONAL MUSIC PUBLISHERS ASSOCIATION, who has been leading the charge to defend those royalties from Spotify's threats. Which is to say, he's asking for dialog rather than speech. "Streaming services are not villains; they are businesses," Beaven, who's a friend, writes. And they and songwriters "need each other and must find a better way forward"... The RECORDING ACADEMY has narrowed its search for a new leader down to "three to five" finalists... BROOKS & DUNN, RAY STEVENS and JERRY BRADLEY will be inducted into the COUNTRY MUSIC HALL OF FAME... TED LEO fronting a DEXYS MIDNIGHT RUNNERS cover band is probably/definitely a thing that should happen in more cities on more ST. PATRICK'S DAYs... If ANDRE WILLIAMS had done nothing more than record these three indescribable minutes, he'd deserve a room in about five different music hall of fames, rap, rock, R&B and garage among them. RIP to the only man who (I'm reasonably sure) ever collaborated with STEVIE WONDER, P-FUNK and the DIRTBOMBS... RIP also BERNIE TORMÉ and ALAN B. KRUEGER. | | | - Matty Karas, curator | | | |  | Complex | | Scenes in cities like Chicago, Baltimore, and the Bay Area are building local infrastructure in an uncertain music world. | | | |  | Playboy | | Two hip-hop megastars from two eras, in conversation. | | | |  | CDM Create Digital Music | | It's not so much that anyone expected MySpace to be alive at this point, let alone a safe place for music uploads. The demise of years of MySpace music is more like a sad reminder of the direction of the Internet. | | | |  | Rolling Stone | | From Amyl and the Sniffers and the Vandoliers to Hayes Carll and Yola. | | | |  | Texas Music | | The writer reflects upon his youth in Odessa -- a city that attracted the notorious and the noteworthy. | | | |  | GQ | | How the North Carolina rapper bucked the system. | | | |  | Variety | | Earlier this month, Amazon, Google, SiriusXM and Spotify challenged the Copyright Royalty Board's decision to increase the compulsory mechanical rates paid to songwriters by 44% over the next five years. The streamers have come under fierce criticism for the move, which they claim is over the complexities of the CRB's rules but is widely assumed to be an attempt to obtain a more favorable rate. | | | |  | South China Morning Post | | In the latest twist to South Korea's K-pop sex crime scandal, Seoul police announced plans on Monday to issue an arrest warrant for singer-songwriter Jung Joon-young over charges of secretly filming and sharing videos of at least 10 women with fellow idols and friends. | | | |  | Pitchfork | | The D.C. trio talk about nearly breaking up, defying expectations, and the questionable characters that populate their surprising new album. | | | |  | Broadly | | I never intended for karaoke to be a method of self-care or whatever, but when I think back to my peak karaoke-going days in 2016, when I went almost every week...yeah, I suppose something was up. | | | | | Variety | | Another Sunday has passed which means another installment of Kanye West's weekly church service. Launched at the top of the year, it's become the most prestigious, highly-coveted invitation among the greater music community in Los Angeles -- an event that only the select and handpicked worshipers get to experience. | | | |  | The Tennessean | | A boot-scootin' duo, a progressive, comedic singer and a member of Music Row royalty comprise 2019's class of inductees into The Country Music Hall of Fame. | | | |  | The Washington Post | | He was one of the most influential guitarist of all time. But Dick Dale's health problems are what kept him on the road. | | | | | CDM Create Digital Music | | Trade shows can be a strenuous onslaught of noise, cost, and crowds -- but then it's often the weirdest stuff that makes it worth it. And no one finds strange quite like Barry Wood and his annual NAMM Oddities. | | | |  | MTV News | | Like Beyoncé, Jay-Z, and Taylor Swift, the singer has made her personal life an authentic part of her music. | | | | | Complex | | Five years ago, YG owned 2014 with the release of his debut studio album, 'My Krazy Life.' Looking back, the album is still as brisk and varied as ever. | | | |  | Dazed Digital | | Months after a series of concert cancellations, the country's underground subcultures have reached an uneasy truce with authorities. | | | |  | The Guardian | | Institutionalised racism continues to affect the live sector, committee told. | | | |  | Perfect Sound Forever | | "Look man, I'm not a liberator, I am an entertainer!" | | | | | Rolling Stone | | The documentary looked like a bombshell -- but has yet to do major damage to pop star's posthumous career. | | | | |  | | YouTube | | | | | | | | | | | "It's official / You got issues / I got issues." | | | | | | | | © Copyright 2019, The REDEF Group | | |
No comments:
Post a Comment