Imagine if someone hadn't given a chance to the brilliant women who came before me: Josephine Baker, Nina Simone, Eartha Kitt, Aretha Franklin, Tina Turner, Diana Ross, Whitney Houston, and the list goes on. They opened the doors for me, and I pray that I'm doing all I can to open doors for the next generation of talents. | | | | Jay & Bey on the run at MetLife Stadium, East Rutherford, NJ, Aug. 2, 2018.
(Kevin Mazur/Getty Images) | | | | | |  | "Imagine if someone hadn't given a chance to the brilliant women who came before me: Josephine Baker, Nina Simone, Eartha Kitt, Aretha Franklin, Tina Turner, Diana Ross, Whitney Houston, and the list goes on. They opened the doors for me, and I pray that I'm doing all I can to open doors for the next generation of talents."
| | | | | | rantnrave:// One of the many things I love about BOB DYLAN is how he's largely avoided the celebrity whirl his fame and talent entitle him to and instead chosen to live out his life as a working musician, a wandering troubadour, an endless interpreter of a century's worth of music, most of it, but not all of it, his own. He was 47 when his NEVER ENDING TOUR began 30 years ago, and it has in fact never ended. He's in Australia and New Zealand throughout August, and he just announced 28 shows in 39 days in the US in the fall, in places like Midland, Texas; Lafayette, La.; Chattanooga, Tenn., and St. Augustine, Fla. He's 77 years old, his reputation and everything else about him has been assured since before you were born, and there's nothing he'd rather do on a random weekend in October than play a casino in Tulsa one night and then bus three or four hours to another casino in Thackerville the next night. He does this, I'd like to think, for the simple reason that he's a musician and that's what musicians do. Or maybe he knows the road is where the stories are. A songwriter is always in need of a good story... A followup/clarification on my Monday rantnrave about DOROTHY CARVELLO and her book ANYTHING FOR A HIT: AN A&R WOMAN'S STORY OF SURVIVING THE MUSIC INDUSTRY. Carvello's description of her four years at ATLANTIC RECORDS in the late '80s and early '90s is a story of sexual assault, harassment, abuse and more. It's a story that wilI ring horribly true for other women in the music business, and many other businesses. I pointed out a "twist," as I called it, that she loved the job despite what she was forced to endure. That may well not have come out as I intended. Her feelings for her job do not in any way absolve her harassers or make her any less of a victim. Her feelings for her job are part of her story, not their story. Her feelings for her job do not make what happened OK. Period. Not now, not then... In her much-discussed, debated, internet-breaking VOGUE cover story, BEYONCÉ has a message that applies as much to Atlantic's leadership in the 1980s as it does to people in power across the culture landscape in 2018: "If people in powerful positions continue to hire and cast only people who look like them, sound like them, come from the same neighborhoods they grew up in, they will never have a greater understanding of experiences different from their own"... One guitarist's loud, beautiful quest to not let the WARPED TOUR end... RECORDING ACADEMY playing MUSIC MODERNIZATION ACT hardball... APHEX TWIN video premiere pulled from ADULT SWIM after failing epilepsy test... Theatrical release of NOTORIOUS B.I.G. film CITY OF LIES postponed amid off-screen troubles for star JOHNNY DEPP... RIP NAVID IZADI and DAVID STEIN. | | | - Matty Karas, curator | | | |  | The Ringer | | As Nashville's population explodes and the music industry continues to evolve in the digital age, what does the dream of making it big as a country artist in the 10-year town even look like in 2018? | | | |  | Pigeons & Planes | | Inside the three brands' ambitious plans to bring their digital experiences to the real world. | | | |  | Vogue | | "Imagine if someone hadn't given a chance to the brilliant women who came before me: Josephine Baker, Nina Simone, Eartha Kitt, Aretha Franklin, Tina Turner, Diana Ross, Whitney Houston, and the list goes on. They opened the doors for me, and I pray that I'm doing all I can to open doors for the next generation of talents." | | | |  | The New York Times | | In "Girlfriend," Christine and the Queens redefines macho, evoking the styles of Gene Kelly and "Magic Mike." Gia Kourlas shows us the power of her moves. | | | |  | Fast Company | | How CEO Daniel Ek plans to beat Apple, Amazon, and Google at the music game. | | | | | Fast Company | | How did Spotify get here? Let us show you. | | | |  | Complex | | A sound debuted in 1995 has become a staple in dozens of hip-hop songs, some released as recently as last month. | | | |  | Noisey | | Kamasi Washington and Thundercat are making jazz cool again, but they're far from the only Angelinos helping LA reclaim its status as a boundary-pushing jazz city. | | | |  | Ideas & Insights | | When it comes to climbing the charts, research suggests that it pays to be different. From Brenda Lee to Beyoncé, here's how the top songs stood out from the crowd. | | | |  | The Shocker | | It's true, we didn't start the fire (who did? Read the list to find out). We also didn't start this debate. But we will end it once and for all. | | | |  | Longreads | | The story of Sadlack's Heroes, the Raleigh dive bar that helped galvanize the alternative country scene in the 1990s | | | |  | The Undefeated | | During the summer of '68, I discovered black beauty was a song and a pretty girl. | | | |  | NPR | | Born as a children's song, transformed by the civil rights movement into an anthem, "This Little Light of Mine" works by letting the singer control their own story. | | | |  | MusicAlly | | The music industry is intensely interested in the growth of the market for smart speaker devices: Amazon Echo, Google Home, Apple HomePod and other speakers controlled via voice assistants like Alexa, Google Assistant and Siri respectively. | | | |  | Forbes | | A dealmaker resuscitates the Victrola brand and makes a killing in, yes, record players. | | | |  | Billboard | | "Head Over Heels" is the first Broadway show based on music written and performed by an all-female group, so when it came time to select the musicians supporting the actors who bring the music of the Go-Go's to life, it made sense to keep the firsts coming and go with an all-female band. | | | |  | Pitchfork | | Black Thought breaks down his favorite verse from Kool G Rap's "Road to the Riches" in our series VERSES. | | | |  | Boiler Room | | Using Drill music SPAC, Nation aims to bring London's black youth into church. In the first episode of our new documentary series Inside, our host Alhan Gençay investigates: are Christ and Drill compatible? | | | |  | UPROXX | | Seeing Father John Misty and Jenny Lewis at a North Carolina museum leads to a new appreciation to atypical concerts. | | | |  | Please Kill Me | | Set the Wayback Machine for the Sunset Strip in 1974, at a decadent rock 'n' roll palace during the peak of glitter-mania, with David Bowie & Elton John. | | | | |  | | YouTube | | | | | | | | | | | | | | | | | | © Copyright 2018, The REDEF Group | | |
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