I first saw Don & Phil in 62 at the London, New Victoria theater on a tour with Ketty Lester. They were backed by the Crickets . It was the first time I heard records done right on stage. Oh, what a feeling ...
In late 63 the Rolling Stones and Mickie Most were bottom of the bill on a 6 week tour of the UK promoted by Don Arden and headlined by the Everly Brothers . Bo Diddley, Jerome and the Duchess were also with us and Little Richard with Billy Preston were added to the second half of the tour. Keith later called that tour his university.
tour.
So many British songs you were weaned on were written by songslingers who warmed up on Don & Phil and Buddy Holly.
When the Everly Brothers sang they spoke to each other and they spoke for us.
With extreme and forever gratitude,
Andrew Loog Oldham
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The Everly Brothers were the reason I wanted to be a musician. I was sixteen, and I took a girl to what was called a "sock hop," held in the gym of Amherst Central High School in the suburbs of Buffalo. It was hosted by a local popular DJ, Guy King of WWOL. They had set up a riser in front of the bleachers and Guy escorted the brothers up some make-shift stairs to a couple of waiting microphones. He introduced them to a crowd of probably 500 or so teenagers, many of whom had never heard of the Everly Brothers, since their first record had just been released. But when they strapped on their twin Gibson J-200s and pounded out the opening chords to "Bye, Bye Love," the kids went wild. The girl I was with forgot all about me - she couldn't take her eyes off the stage. I knew immediately that I needed to get up on that stage myself.
I knew a few chords on a guitar I had borrowed from my uncle, but I wasn't serious. The Everly Brothers lit a fire under me that night: the sound of those two strummed acoustics and those amazing voices that were so perfectly in time with each other mesmerized me. And when Guy King talked them into playing "Wake Up, Little Susie," which was to be their second single, I noticed that one of them put a capo on his guitar. I had never seen one of those and it made me realized how much I didn't know.
A dozen years later, in the summer of 1970, I was in Linda Ronstadt's band when she made a guest appearance on the Everly Brothers' short-lived variety series on ABC. I finally got a chance to tell them how much they meant to me, and they were beyond gracious. Like everybody in the music world, I'm sad today, but pleased to see Don and his brother get all the accolades they deserve.
Best,
John Boylan
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It's probably unnecessary for me to say this, but beyond having one of the most singular and amazing voices of recorded history, Don Everly was a soulful, gifted and prolific songwriter and his rhythm guitar playing was truly iconic. Regardless of their personal differences and difficulties, he and Phil were magnificent both in the recording studio and live. Their fraternal blend and lifetime of professionalism was astonishing.
I bailed on joining my collaborators and pals Dewey and Gerry of America onstage for a gig at the Universal Amphitheater one night to instead go see the Everly's at the Greek. It was an absolutely great show.
Donald, who sang lead on every Everly recording, never really sang his solo
parts the same way. He always brought a new interpretation to those well crafted songs, night after night… decade after decade. He struggled with depression and substance abuse and all the trappings that can befall a star, but he left us a lot of beautiful music that surely endures. There's an abundance of solo Don Everly recordings worth exploring beyond the Brothers fantastic catalogue.
Margaret Everly, mother of Donald and Phillip, now age 102, deserves a prayer. Or two.
R.I.P. Donald.
Peace,
Bill Mumy
Still in Laurel Canyon
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I teched for Paul Simon
Looking out from the stage a tremendous number of people would cry as they sang along with the Everly Brothers during their nightly segment in the middle of the show
When they showed for the first rehearsals, Donald's guitar had a note woven through the strings from Robert Steinegger ( builder of their " Ike Everly " guitars ) it was dated some 16 years earlier
Phil's guitar was in similar condition
...And when they walked on that stage they sounded exactly like the "Everly Brothers"
Cheers, Michael K
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1958 — in my Xmas stocking — Santa left my first 45 — "Bird Dog" b/w "Devoted To You" by the Everly Brothers on Cadence.
My life changed right then.
Jeff Eyrich
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Hi Bob: My dad was born in 1940 and he LOVED the Everly Brothers . . . I have not heard these songs in decades, but I could sing along with every word today as they provided the soundtrack of the first decade of my life and you never forget those songs. I always thought I was the only person in my age group who had ever even heard of the Everly Brothers, much less know their music . . . they just never came up in discussions throughout all my years at a label.
To your point of Europeans embracing American roots, I have a very vivid recollection of talking to my boss' father one time and he asked what type of music I grew up with. He's from Denmark and moved to the States in the 80's - he's currently 92! I said Beatles, Elvis, Johnny Mathis (thanks Mom!) and the Everly Brothers, saying that last name with a "you've never heard of them" in my voice. He latched on to that and launched into how influential Phil and Don were.
Anyways, reading about Don's death made me think of my father and the hours and hours we spun Every Brothers vinyl and sang along. Lucky for me, I still have both parents - I bet Dad pulled out one or two of those records yesterday.
Vickie Strate
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NYC-based Cadence Records' founder/owner Archie Bleyer, one of the sharpest indy label pioneers of all time, signed the Everly Brothers and produced their long run of hits. Some of the tunes were the brothers' compositions, other equally successful ones were written by Felice and Boudleaux Bryant. Paul Lanning
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The guitar playing impressed me. The rhythm guitar on "Wake Up, Little Susie" had an urgency and propulsive quality that was a complete break from folk-style guitar playing. It was a lot closer to Pete Townshend's attitude than Peter, Paul, and Mary's, that's for sure.
Craig Anderton
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I was 11 when you were 5 so at 16 when I first heard Lennon/McCartney my first thought was Don/Phil. Seeing the brothers on "The Ed Solomon Show" as my grandmother called Sullivan, was every bit as thrilling as seeing The Beatles a few years later. "It's back!" I told myself after having abandoned rock'n'roll at 15 for Monk, Coltrane and the MJQ. Now I had both! Though to fully grasp what "it" was took time.
Michael Fremer
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The great contribution of the Everlies is their approach to harmony...
A second singer, singing a counter melody, usually a third above the lead vocal..(Almost constantly, in their case)….
Which we take for granted, having heard the Beatles, Eagles, and every other act doing it, our entire lives..
But nobody did it much before them...(and Buddy Holly).
You'd hear Elvis sing a melody, but the background voices, usually a gospel quartet, would function as orchestration..Oohs and aahs, behind the vocal line..Which followed the template set by Bing Crosby, Sinatra, and the country crooners..
Part of the freedom of rock and roll is the self containment, the independence, the DIY spirit...
For me, it was hearing "Wake Up Little Suzie", on "Happy Days"..How their voices BLENDED..Siblings can naturally match the tones..
The songs and the recordings hold up well, but it's those harmonies that changed music forever...
James Spencer
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"The L.A. "Times" obituary went up almost instantaneously, it had obviously been pre-written, because at some point in the not too distant future, they knew Don was going to pass."
I used to work in news (in the UK) and, believe me, all newspapers and news outlets have obits ready for everyone newsworthy - in print and film/video. On any slow news day, the news dept has writers updating the obits, some have journalists devoted to just the obits.
I did my fair share at the BBC and at first it was weirdly uncomfortable to do them while the subjects were still alive, but in the news business, sentiment doesn't last long at all.
I'm also from Liverpool, where the Everlys were Gods. I was a life-long fan, bought all their records and suffered through British airings of The Perry Como Show to see them perform. I actually met Phil before he passed, but never Don.
They were unique and their music still sounds as fresh as when it first came out of that transistor radio.
RIP Don and Phil.
Paul Flattery
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Nice Bill Medley reference there at the end! But if there's a rock and rollheaven, it's still just dust in the wind...Seriously, great tribute! I love all those old EB songs, but this just might be my favorite EB track from their Warner Brothers years when they recorded with those great LA session players...in this case the late great Clarence White, one of my longtime Telecaster guitar heroes
www.youtube.com/watch?v=EmfGq1s7RFM
Chip Lovitt
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I used to sing "Let 'em In" on stage when it was on the charts but I didn't know that Phil and Don was a reference to the Everly Bros. I guess I'm revealing my young age at 64? hahah..Well I guess you learn something new everyday,,,thanks to guys like you!... Cheers!
Randy Dawson
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Nobody was ever cooler than these guys:
youtu.be/TbKeXEwsPjw
Marshall Crenshaw
P.S. With all due respect, I was disappointed by this piece on Don Everly- you talked about a whole bunch of other people, said almost nothing about Don himself, or The Everly Brothers. They were one of the greatest artistic entities in the history of Rock, and hit-makers to an historic extreme. Plus, their music is more deeply-rooted in Americana than just about anybody's: Next time you hear someone talk about a style of guitar-playing called "Travis-picking", remember that it was Ike Everly who taught Merle Travis how to "Travis-pick".
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In 1965 at the ripe old age of 10, my daddy took me to an automobile convention at the Santa Clara County Fairgrounds. At some point, we wandered into a small tent where a band was setting up to play. Suddenly, out steps The Everly Brothers, a singing duo I had idolized since I was a wee pup. They held their guitars up to the mics and strummed them real loud and forceful, then out came those voices in perfect harmony… "Johnny is a joker (he's a bird)… a very funny joker (he's a bird)…" I thought I had died and gone to heaven, singing along to a record I had owned since I was 5 or 6. This was the first time I had ever seen rock & roll performed live in person. It was the first time I had ever seen a real drum set and was astonished to realize that the kick drum was actually played with a pedal (I had always supposed it to be ornamental). It was also the first time I had ever seen an Ampeg amplifier (I thought everyone used a Fender). This experience was a literal baptism into something that had been waiting for me since I was born. I just needed to experience it in the flesh in order to crystalize what had already been forming in me from the time I became conscious. The deal was really sealed at the end of the concert when the boys were side-stage, smoking cigarettes and signing autographs for pretty teenage girls. It was then and there that I knew without a doubt that this was the life for me! But none of this is as important as the sound of those two brothers singing their hearts out in perfect sibling harmony. It was angelic and otherworldly, and it gets as deep down inside of my soul today as it did when I was a kid. And those songs … so catchy, so beautiful, so rockin'.. with my guitar idol Chet Atkins playing lead and those Nashville cats laying it down like there was no tomorrow. Maybe that's just it. When I hear that Everly sound, time stands still and there literally is no tomorrow -- only yesterday, with those gorgeous harmonies washing over me like they did when everything was beautiful and nothing hurt. Yesterday, we lost an elder statesman and architect of America's great gift to the world of music. There aren't too many left alive, and Don's brother Phil already left us years ago. Without Don Everly and his great songwriting and musical vision, we would have not had The Beatles, Simon & Garfunkel and innumerable others to guide us along the way with their own musical statements. We would have other things, but we wouldn't have those harmonies. I, for one, am so grateful to have grown up in a time when music like this was all over the airwaves. It made my life worth living and gave me something to do with it that could maybe bless others similarly. For now, so long Don – I really hope to see you on the other side so I can thank you for all this wonderfulness. R.I.P.
Michael Roe
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When the plane crashed, Feb 2, 1959, I was 11 and in shock because Holly was so central to the music, and feelings that moved me. My understanding and appreciation of the Everly Brothers was magnified by the loss of Buddy.
In Spring 1959 I clearly remember thinking about the state of pop/rock music and how central the Everlys were, and would continue to be.
Top ten hits that were my faves:
1957 - "Bye Bye Love"
"Wake Up Little Susie"
1958 - "All I Have To do Is Dream" - B/W "Claudette" (written by Roy Orbison)
"Bird Dog" - B/W "Devoted To You" (#10)
"Problems"
1959 - "Take A Message To Mary" (peaked #16)
"('Til) I Kissed You" - with The Crickets
1960 - "Let It Be Me" - B/W "Cathy's Clown" (#1 for 8 weeks!)
"When Will I Be Loved"
"So Sad (To Watch A Good Love Go Bad)"
When the Beatles arrived in 1964 I heard the Buddy Holly and Everly Brothers 'sound' again.
Paul Zullo
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I was born in1963 and I missed out on the first wave of rock and roll and the British invasion. My earliest memory of music is hearing CCRs "Looking Out My Backdoor" on the radio.
But when I was in third grade I met a guy on the playground that introduced me to the Beatles, Led Zepplin, the Doors and Dave Clark Five and I haven't been worth a damn since.
Then comes along Christmas Eve 1978 and I received the best gift a boy of 15 could ever get. My aunt got me an 8 track of Buddy Holly and it just opened all kinds of doors. I then discovered the Everlys, Chuck Berry, Eddie Cochran, etc. As for Elvis, he was always there through his movies for me.
These days it does my heart good when I hear of youngsters discovering historic music. Because a lot of what goes for music these days will be forgotten next week.
Peace
Tim Clary
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Bob,
A few other points to make about the Everlys:
1) Graham Nash and Allan Clarke idolized them. In Nash's memoir, Wild Tales, he writes about seeing them in Manchester in the late '50s and following them back to their hotel to meet them. There's a direct line from the Everlys to the Hollies to CS&N. That's where those harmonies come from.
2) Donny Osmond covered "Wake Up Little Susie" on his first solo album when he was huge in the early '70s, introducing it to a whole new generation of teenyboppers almost at the same time Simon and Garfunkel were covering "Bye Bye Love".
It's also worth mentioning Foreverly, the charming album of Everlys tunes that Norah Jones and Billie Joe Armstrong did a few years ago. Well worth a listen.
Tycho Manson
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You forgot to mention Fire & Rain's classic version of 'Devoted To You!'
youtu.be/W4h3_k1UxqY
Thanks
Rain
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When the LA Times stated Don was "survived by his mother," I thought it was a typo!
Imagine having a child die—essentially of "old age"--while you're still alive!
www.the-sun.com/entertainment/3519328/who-is-the-everly-brothers-mother-margaret/
Mat Orefice
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I'm 63. My mum (she was a brit, and I'm a half-breed brit) and I butted heads through most of my youth, but the one thing that we could relate to each other on was music. I'll never forget how she made a point of telling me that she and my dad went to a Bill Haley concert in London sometime in mid '57, when she was carrying me (I was born December 10th). She recalled how I danced inside her to "Rock Around The Clock".
Another time she told me how she'd just delivered me, and as she held her first born she could hear, on a transistor radio, somewhere in the background, "Wake Up Little Susie" by the Everly Bros. It was momentous to her, and it still resonates with me to this day. RIP, Don.
Hey, you forgot to mention that Donny Osmond pitched a version of this Everly tune. I only know this 'cause my sister drove me nuts, playing it incessantly! You want some cheese?
Joel Hile
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I was 12 when "Cathy's Clown" came out. I immediately fell in love with the harmonies & the drumbeat. I was hooked to the Everlys. A few years later when the Beatles came out , something sounded familiar to me. It took me a minute and I realized it was the harmonies. I then realized the Beatles actually listened to the Everly Brothers.
It was ok to be influenced by other artists. A nice lesson to learn at an early age. I also remember seeing the Everly Bros on Shindig.
The same thing happed when I heard " Sounds of Silence" for the first time. The spread of the harmonies were familiar.
Thank you Don & Phil
Alan Childs
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I met the Everlys when I was sge 6. I was what was then known as a "crippled child", healed completely 5 years later. But at the time, confined to the house, I was fascinated with their sound and spun the radio dial all day to scour the NY stations for their songs, once "Bye Bye Love" had hit the charts. My father was in the television business, noticed this, and arranged for me to meet with them at a rehearsal for the Perry Como TV show, where they picked up their guitars and sang their new song "Problems" to me, disrupting the rehearsal. Perry was annoyed until he turned around and saw the 6 year old boy on crutches and waved for everyone to stop working until the song was over. This began a lifelong association that included becoming one of their wonderful mother's best friends after showing up unannounced at her house in Nashville about 35 years ago. She called me her third son, and for reasons most families can understand, got along with me better than with them. She is 101 and still lives in the house her sons built for their parents with the first royalty checks from "Bye Bye Love". The Everlys had more enduring respect inside the music business than with the public, after their first 5-year string of hits. They were accorded immense appreciation for their innovation, and their master class in rock harmony that so many acts emulated as best they could. Keith Richards, in his excellent book, referenced Don Everly's rhythm guitar playing 8 or 9 times.
One story. When Billy Joel met Paul McCartney for the first time, he went on at some length about how Paul was his inspiration, his foundation, the reason he did what he did. And He said "Oh, I'm sorry, I'm gushing, I sound like a drooling fan". And Paul said "That's OK, I did the same thing when I met the Everly Brothers."
Preston Bealle
Darien, CT
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Bob, thanks for eulogizing Don and recognizing the Everlys' influence, particularly on The Beatles, whom the British press dubbed "The British Everly Brothers", and Simon & Garfunkel, whose first iteration — Tom & Jerry — was virtually an Everly Brothers soundalike. Jack Skuller and I perform as The Everly Set in theaters around the country, and our core demographic is older seniors, thousands of whom flock to our concerts to hear The Everly hits done well and to sing along like the teenyboppers they were in 1957 when Bye Bye Love and Wake Up Little Susie topped the charts. I used to think everybody over 75 idolized Sinatra and the other crooners or only listened to symphonic music or opera, so hearing 1000 people in their 70s and 80s sing/scream the lyrics "Gee Whiz!" and "Ooh La La!" was a crazy eye-opener for me. Rock has now been around so long that our oldest citizens were twisting, shimmying rockers from the getgo! Phil & Don are sadly gone, but long live their music and enduring influence.
Sean Altman (NYC)
TheEverlySet.com
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For sure they had great songs.I heard them for the first time in New Zealand 1960,I was 12 years old.I bought their 45.
Tom Riviere
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Nice tribute Bob. I'm 69 years old. But I was an Everly Brothers fan when I was still a kid. I remember seeing them sing "Crying in the Rain" on the Ed Sulllivan show, on my family's black and white TV, while they were still in the military, performing in their uniforms. Like you, I saw them with Simon & Garfunkel (twice: once at Staples and also at the Arrowhead Pond). I had also seen them a few years earlier at the Greek, when Albert Lee was playing lead guitar in their touring band. But nothing comes close to when I saw them many years before that, at the Troubadour, sometime around 1970, when they were first getting back together again. Just the two of them onstage with their acoustic guitars, no band, playing dynamically and singing in perfect, brotherly harmony. Like nothing else I had ever seen live up to that point and still one of the most stand-out musical experiences of my life. I was riveted and couldn't leave. Stayed for the second show and saw the whole thing over again....back when you could do that at the Troub if the late show wasn't sold out. What a memory!
Doug Knoll
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Phil Everly on singing with his brother Don:
"It's like playing tennis with someone who is really great.
You can't let your mind wander for even a microsecond, or you'll be left behind."
"Don and I are infamous for our split.
But we're closer than most brothers.
Harmony singing requires that you enlarge yourself, not use any kind of suppression.
Harmony is the ultimate love."
And a quote from Don that I've repeated many times:
"If they ever had an Olympics for singing, we might not win the Gold…but we'd sure as hell be in the medals."
Hank Neuberger
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I'm no celebrity rock star but being older than you growing up in NY listening to Murray the K as well as Cousin Brucie, the Everly Brothers record that sealed the deal for me was "Wake Up Little Susie". Some years later Simon and Garfunkle released " Dancin' Wild" and "Hey School Girl" under the moniker of Tom and Jerry. Those of us who loved vocal harmonies loved it all.
Jonathan Schneider
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www.youtube.com/watch?v=DcWFch0KCI8
This performance on The Midnight Special is one of my faves. If you haven't heard "Stories We Could Tell" (the last studio record they made before breaking up in the early 70s) it's really worth your time. A veritable who's who of late 60's/70s California folk-rock supporting them. It closes with the title track, and this video features a really great performance of that song - as well as a late career rendition of "All I Have To Do Is Dream". The Everly Brothers were fucking great. Their best stuff ranks among the best ever made.
Stories We Could Tell:
open.spotify.com/album/5ucnCsHTkWKXCcCjrSEdw0?si=kvJFsBqtRkKDLlh3FMTsbA&dl_branch=1
Songs Our Daddy Taught Us (my fave EB record)
open.spotify.com/album/6TChmXsRtOQXNZQPrI2yGy?si=MWk1atmZRZC9ALSyvLsOAw&dl_branch=1
David Wallace
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Yes. The Everlys were untouchable in my opinion. Those harmonies could melt you. My sister gave me Don and Phil's first album when I was 11 or so. I still have it. Later on, I freaked out when I broke the 78 of "Claudette" . It was a tragedy.
However I'd like to note another passing over the weekend, Tom T. Hall. The Storyteller. Listen to "Old Dogs, Children and Watermelon Wine". He was a poet but called a country singer. Check him out if you don't know him. He had a pop crossover called "I Love", which I never favored. Interesting but a very simple song. He wrote "Harper Valley PTA", which got right to the point. Delve into the catalogue and you find Americana at its rawest. And a sweet man as well.
M. Gormley
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Those brothers, the songs and their melodies influenced so many from the Beatles to The Rolling Stones. Remember what Keith Richards said: "I don't think you will ever find another pair that can match them" and "I can never think of the Everly Brothers without thinking of the others who were involved. There were really four of them: the Everly Brothers and Boudleaux and Felice Bryant, who wrote all of those beautifully written songs so well suited to the boys voices".
Boudleaux and Felice Bryant wrote so many songs recorded by many different musicians become huge hits. The Everly's All I Have To Do Is Dream, Wake Up Little Susie, Bye Bye Love, Take A Message To Mary to name a few of the Bryant songs they recorded… Roy Orbison's Love Hurts, Buddy Holly's Raining In My Heart and countless others. What Keith said rings true!!!
All the best,
Watt Casey
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I had the pleasure of promoting their record on Mercury Records... The song, "On The Wings of a Nightingale"... written my Sir Paul and produced by Dave Edmunds... how could you go wrong?
Well in "layman's" terms it was a stiff! A brilliant record that that radio just didn't get... their popularity had vanished. I went on a radio tour with Phil .. (no Don) and he was wonderful.. except his smoking was nauseating...
At their gig at the Greek Theater the backstage was like the "who's who" of Hollywood... Linda Ronstadt in arms with Gov. Jerry Brown.. quite a site... oh they had separate dressing rooms and were never seen together for pictures..
The part that I wonder most about is how brothers can go to the grave not making up?
Kindest Cheers,
Jeff Laufer
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As much appreciation as I do have for The Everly Brothers, I think it's important to give credit where credit is due. Too often, songwriters who have created iconic songs that live through the decades are not given their deserved respect. To that end, I want to ask that you mention to your readers that, in addition to "All I Have To Do Is Dream" having been written by Boudleaux Bryant... "Bye Bye Love," "Wake Up Little Susie," "Bird Dog" and "Take A Message To Mary" were all written by Felice & Boudleaux Bryant, as were many other Everly Brothers songs. Oh, and, as a matter of fact, Boudleaux Bryant" wrote "Love Hurts!"
As iconic as The Everly Brothers sound was and is, I dare say much of their success can be attributed to the masterful songwriting team of Felice & Boudleaux Bryant. As you may have heard said, it all starts with a song. And without the song, there is nothing.
All the best,
Alan Brewer
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Hello Bob, I am Del Bryant former president CEO of BMI and one of the sons of Boudleaux and Felice Bryant. My dear friend Cory Robbins sent me the article you most recently wrote on Don Everly's passing and primarily the importance of the Everly Brothers musical legacy. I found your generational view of the difference in the music and the ubiquity with which it was shared and consequently ingested by the culture most interesting. The time was right for something big and important and it happened in the 50s and early 60s, in black and white, at the time, as you stated, that everyone knew the hits and the people who made them. The Everly's had an immediacy and an intimacy to their music that few matched. The seeds of their explosion fell upon the most promising artist to follow them and as you eloquently stated the fruits (SONGS) of that time are still fresh and enjoyed universally.
My folks were blessed to have a large share of those blessings not only as recorded by the Everly's but a wide array of others for which my brother and I are very proud. I manage the publishing of our copyrights and truly view them as siblings I was raised alongside of. I am a 1948 baby, and a man with approximately 4000 brothers and sisters. Raised backstage Grand Ol Opry, I saw rock 'n' roll grow from the inside out. I further worked on better understanding the puzzle after leaving my families publishing company and working with writers from all genres at BMI for 42 years. All along the way I was blessed to have the access and contact and often friendship with so many of the people you mentioned in your article, from Little Richard to Chuck Barry to Holland Dozier and Holland to Paul McCartney, Paul Simon, Keith Richards, Graham Nash, Donovan,Tim Rice and many more.
Some created the initial magic we are speaking of while others inspired by the magic created the new beguiling music of yesterday, today and tomorrow. And I would venture to say all of these Band of Merry Brothers would agree that tomorrow is always the target even though it starts today, (STANDARDS). Music, primarily songs have been the "LOVE OF MY LIFE" to borrow from one of my favorite songs the folks wrote for the Everly's. ??
Kind Regards,
Del
Del, Carolyn, Thaddeus Bryant
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