jason hirschhorn's @MusicREDEF: 05/16/2022 - Sounds of Silence, Rock's Unlikely Capital, Concert Ticket Prices, Kendrick Lamar, Lionel Richie...

We are here to prove that Ukrainian culture and music are alive and they have their own beautiful signature.
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Monday May 16, 2022
REDEF
Ukraine's Kalush Orchestra celebrates winning Eurovision, Turin, Italy, May 15, 2022.
(Jens Büttner/Picture Alliance/Getty Images)
quote of the day
"We are here to prove that Ukrainian culture and music are alive and they have their own beautiful signature."
- Oleg Psyuk, frontman of Ukraine's Kalush Orchestra, winner of the Eurovision Song Contest
rantnrave://
Here

I'm at a bit of a loss for words after a weekend of astonishing pain in America—a racist mass shooting in Buffalo, a church shooting in Southern California, protest marches around the country on behalf of women being stripped of their basic rights. Music, it's often said, is an escape, but it isn't, not in the way a lot of people want that to mean. Music reflects on and processes and remixes and illuminates and helps us understand what's going on in the world, and in our hearts, and everybody else's hearts. It's an act of participation, of connecting, of engagement, of community. There can be beautiful escapes within, but music is as likely to remind us where we are as where we aren't.

Sounds of Silence

Some jumbled notes on a few things that happened this weekend on various concert stages in various cities. TRAVIS SCOTT made a mildly controversial appearance at Sunday night's BILLBOARD MUSIC AWARDS in Las Vegas—his most prominent performance since the crowd-crush tragedy at ASTROWORLD six months ago—and chose not to acknowledge the tragedy that he's still trying to find a path back from (and which remains an active legal issue for him). Two songs, one of them new, on a video-like stage set—as if to create distance—and that was that. The same night, the WHO performed in Cincinnati for the first time since an equally horrific crowd-crush tragedy at that city's Riverfront Coliseum 43 years ago, and messaged in a number of ways—including providing seats in front of the stage for families of nine of the victims—that it's still processing and trying to atone for the events of that long ago night. An objectively better response. But maybe it's easier to process with four decades of separation than with only six months and an active lawsuit. In 1979, the Who got right back on its bus after the Cincinnati tragedy and was back onstage within 24 hours. The band has since suggested it regrets that decision, but at the time, TWITTER wasn't around to call it out in real time. Has the Who displayed more empathy than Travis Scott? Maybe. But ask me again in another 43 years. We all process, um, different. And none of us get to forget.

Five miles and 24 hours away from Scott and the Billboard Music Awards, there was another crowd-crush incident, albeit a seemingly minor one, at the LOVERS & FRIENDS fest at the Las Vegas Festival Grounds. Festivalgoers heard what they thought were gunshots, started running and three people were hurt in the confusion. The fest was halted for an hour, a lot of people left and then the music—USHER, LIL JON and LUDACRIS—continued. Thank the festival gods more people weren't hurt, or worse. Crowded, general-admission festivals continue to pose questions that need to be confronted, and crowd-control and security officials should be processing this. Artists, this time, won't have to.

One final note: The Who's show the next night 43 years ago was in Buffalo. This Sunday in Buffalo, a tour stop away from the 2022 version of PETE TOWNSHEND, ROGER DALTREY and crew, JUSTIN BIEBER paused his show at the KeyBank Center for a moment of silence for the victims of Saturday's shootings. You might imagine any performer should, and would, do the same. But not all performers do. Not all fans either. In an Instagram post later Sunday, Bieber wrote, "To the people who couldn't stay silent to honor the lives that were so tragically lost, I urge you to ask yourself why."

Rest in Peace

Atlanta rapper LIL KEED, an up-and-coming rapper from Young Thug's YSL crew who released seven albums and mixtapes between 2018 and 2020 and was named to XXL's 2020 Freshman Class. He was best known for the 2018 hip-hop ballad "Nameless"... DANIEL BELARDINELLI, half of the duo Duomo, whose instrumental covers of Taylor Swift, Ariana Grande and other pop stars helped soundtrack "Bridgerton"... Spanish opera singer TERESA BERGANZA... DJ MOONCUP, Bristol club and radio DJ.

- Matty Karas (@troubledoll), curator
rough boys
The Economist
Welcome to the unlikely capital of rock'n'roll
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Los Angeles Magazine
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I should be able to see you at a reasonable price, especially from a mile away.
Pollstar
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Complex
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The Conversation
Ukraine's Eurovision win shows us that despite arguments to the contrary, the contest has always been political
By Jess Carniel
Can culture and politics ever be extracted from each other? Isn't all art political?
The New York Times
When Ukrainian Music Wasn't Under Threat, It Thrived
By Gabrielle Cornish
For a brief period in the early 20th century, Ukrainian composers put a national twist on modernism, free from Russian or Soviet regulation.
NPR Music
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CBS Sunday Morning
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Billboard
How the Music Industry Went From Discussing Fairness to Accuracy – And Why it Matters
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Insert
Sounds from the Fediverse: an introduction to Funkwhale, a decentralised, community audio platform
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New platforms for community and music.
and i moved
The Cincinnati Enquirer
'It's so lovely to be here': The Who remembers 1979 tragedy, while rocking Cincinnati show
By Chris Varias
On Sunday, The Who took the stage in Cincinnati for the first time since December 3, 1979, when 11 people were killed before the rock group's show at Riverfront Coliseum.
Billboard
Pete Townshend Hopes The Who's Emotional Return to Cincinnati 43 Years After Tragedy 'Will Bring Us All Together'
By Gil Kaufman
As far as Pete Townshend is concerned, The Who should never have left Cincinnati after that awful night in December 1979 when 11 fans died after concertgoers rushed the doors of Riverfront Coliseum.
Los Angeles Times
For global phenomenon Bad Bunny, Puerto Rico remains his playground, battleground and muse
By Suzy Exposito
At a moment in his career when the American music industry and Hollywood are fighting for a piece of Bad Bunny, he's fighting for his identity too.
The Guardian
Global hit 'Pasoori' opens doors for Pakistani pop
By Shah Meer Baloch
Song has more than 111m views on YouTube and has been heralded for transcending boundaries.
CBC
Juno Awards 2022: Live music and Simu Liu guide ceremony to safe landing
By Jackson Weaver
In 1st in-person staging since 2019, Juno Awards bring back live music — and live jokes.
Variety
Young Thug's Lyrics Used Against Him in Court Is 'Unprecedented Racism,' Legal Experts Say
By Ethan Shanfeld
"You can draw a direct line between the use of rap lyrics in criminal proceedings and discrimination in the criminal justice system."
NPR
The charges against Young Thug build on a growing trend of criminalizing rap crews
By Sidney Madden, Rodney Carmichael, Ayesha Rascoe...
Ayesha Rascoe talks with Sidney Madden and Rodney Carmichael of NPR's Louder Than A Riot about the RICO charges against Young Thug and the wider intersection of criminal justice and hip-hop.
The New Yorker
Belle and Sebastian Sing of Middle Age
By Peter C. Baker
You can't be an alienated semi-adult forever.
Variety
Naomi Judd Remembered at Emotional 'Celebration' by Wynonna and Ashley, Brandi Carlile, Bono, Oprah, Emmylou Harris and Others
By Chris Willman
Performers included Brad Paisley, Carly Pearce, Little Big Town, Allison Russell and Jamey Johnson, along with Bono reciting a Judds song.
what we're into
Music of the day
"Stefania"
Kalush Orchestra
"I'll always find my way home, even if all roads are destroyed." The Ukrainian band's Eurovision-winning song.
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