We're frenemies. We need each other. It's in our interest for them to be as dependent on us as possible. And our artists need to reach as many customers as possible. | | | | Miles Davis performing in Paris, Nov. 13, 1973.
(Dominique Gonot/INA/Getty Images) | | | | | |  | "We're frenemies. We need each other. It's in our interest for them to be as dependent on us as possible. And our artists need to reach as many customers as possible."
| | | | | | rantnrave:// Shout it out loud: Protest works. Sometimes anyway. A week and a half after announcing its terrible decision to cancel the long-running new-music show NEW SOUNDS, New York public radio station WNYC responded to a revolt from artists, listeners and its own staff by reversing course. "We agree with you," the station's new president and CEO, GOLI SHEIKHOLESLAMI, wrote in a letter to the station's members, that the "beloved program must stay with us. A show like 'New Sounds' can only be produced on public radio." It was a peaceful revolt, one heated community advisory board meeting and one testy Friday night staff meeting notwithstanding, but a determined one. It started, in a sense, with LAURIE ANDERSON asking the NEW YORK TIMES, "Why would they do that?," continued with an outpouring of emails and social media messages from musicians and listeners who grew up with and/or depended on the show, and ended in a sea of opposition in the radio station's own offices. "There were people writing not just impassioned emails, but really thoughtful emails," the show's fired and now-unfired host, JOHN SCHAEFER, told the Times, "making points about what public radio should be." Schaefer's show is an island of human-curated musical programming—which is 21st century talk for what used to be called simply "programming"—in an ocean of algorithms, spreadsheets and corporate priorities. It's not alone—there are other places in New York to experience the work of harpist SARAH PAGÉ, electronic composer ALVIN CURRAN or the SOUNDWALK COLLECTIVE—but it's an essential piece of the city's ever-endangered cultural soul. And every piece matters. "It's hard to imagine New York without it," the NATIONAL's BRYCE DESSNER told GOTHAMIST. For the foreseeable future, there'll be no need to imagine that at all. Please don't forget to listen... Smart, immersive album marketing, h/t CHERIE HU... Over-the-top or, perhaps, fake/staged artist marketing, h/t DAN RUNCIE... Yet another rapper has been legally barred by a UK judge from using certain words in his raps and I can't help wondering what happens when they start barring certain beats... If your video of how you used a METALLICA song to scare off a cougar who was possibly thinking of killing you goes viral, perhaps JAMES HETFIELD will call you, too... PAT BENATAR is a duo... RIP PETER HOBBS. | | | - Matty Karas, curator | | | |  | Fortune Magazine | | Profits are hard to come by-and Apple and Amazon aren't going away. | | | |  | DJBooth | | It's been decades since sampling was uninhibited. Library music is changing everything. | | | |  | Music Business Worldwide | | Why Shane McAnally's fight with ASCAP could have repercussions for years to come. | | | |  | The Ringer | | They aren't like the hedonistic guitar gods of yesterday, but they radiate power-pop joy with their big hooks and bigger solos. | | | |  | Pitchfork | | It isn't hyperbole to claim that the rapper is one of the 2010s' most essential artists. | | | |  | Gothamist | | The 37-year-old eclectic music program, which has since its inception been hosted by John Schaefer, will continue to air seven nights a week on the radio and through its online stream. | | | |  | American Songwriter | | Fallon is still somewhat taken aback by the caliber of musicians he's had the opportunity to work with over the past few years. "Any comedy album that has Justin Timberlake, Paul McCartney, Eddie Vedder, Dave Matthews, Bruce Springsteen – that's pretty crazy," he says. | | | |  | Tidal | | T.I. and Cardi B are no strangers to the big screen. But now, the duo are taking their talents to Netflix as hosts of the reality competition, "Rhythm And Flow." Here, the Rap Radar podcast alums speak on their new roles, upcoming artists, new music, and much more. | | | |  | Outside Online | | When she realized a mountain lion was stalking her, Dee Gallant knew exactly what to do--blast some heavy metal. | | | |  | The Economist | | It is commonplace for boxing fans to bemoan the senselessness of world titles. With four different governing bodies all anointing champions in each weight class-and one of them naming up to three for each division-it is difficult to say who is the best fighter in the world at any given weight. | | | |  | Los Angeles Times | | Summer Walker's debut album broke streaming and sales records last week, but the Gen Z Mary J. Blige is so cripplingly shy that she refuses to do interviews. | | | |  | GQ | | He's back with a new album-and the same naked energy that's become his trademark. | | | |  | Water and Music | | Two separate merch campaigns from Sony Music's RCA Records and music-curation and performance brand Colors show us just how much room there is for experimentation in the music merch sector. | | | |  | Daily Dot | | A head-turning genre makes a social media splash. | | | |  | Rolling Stone | | Fresh off his best album as Dame D.O.L.L.A., music was the NBA all-star's summer job … until now. | | | | | Pitchfork | | A lawsuit over who's to blame for Lil Peep's fatal 2017 overdose could have potentially far-reaching implications. | | | |  | The New York Times | | The Beyoncé Mass explores how issues of race and gender impact the lives, voices and bodies of black women. (It's not, however, about worshiping Beyoncé.) | | | |  | The Guardian | | Combining 'a blend of the east and west', the Hu have found their way to 45m YouTube views, a smash hit debut album and the admiration of Elton John. | | | |  | Medium | | To truly appreciate Hip-hop not just as a genre but a culture, one may have to go back in time to 46 years ago, 1973 to be precise when the likes of DJ Kool Herc and Afrika Bambaataa pioneered an art form that will go on to become a global phenomenon.Today, mention names like Jay Z, Nas, Drake, Cardi B and you can tell that the genre… | | | |  | Twenty Thousand Hertz | | Singing with others is a powerful form of expression. That's why the composer Eric Whitacre started the Virtual Choir; an experiment that connects singers from every corner of the globe. In this episode, we hear how a choir can unite people from different backgrounds to achieve a common goal - creating beautiful music. | | | | |  | | YouTube | | | | | | | | | | | | | | | | | | © Copyright 2019, The REDEF Group | | |
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